Maybe we won’t need another doc about Asians in American cinema

(Originally published here on September 14 in the South China Morning Post.) In Arthur Dong’s documentary Hollywood Chinese, we see Taiwan-born American director Justin Lin at the 2002 Sundance Film Festival, where his largely self-financed feature film Better Luck Tomorrow was screened. The film depicts Asian-American high school students rebelling against the marginalisation they had to endure because [...]